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The Definitive History of Screensavers: 1961 - 1990
Sci-Fi Novels, CRT Screens, & Flying Toasters
May 03, 2024
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Screensaver’s were all the rage in the 1990s. From Flying Toasters to 3D Mazes, screensavers were found on every major operating system across the land.

Screensavers are a fun, and loved, part of the 1990s (and onward) computing experience. But what was the very first one created? What is the story behind the early screensavers? Inquiring minds want to know!

Let’s dive into the glorious early history of… the Screensaver.

The Dreaded Screen Burn-in

Leave any CRT screen (be it a standard television , computer monitor, or even an oscilloscope) on for too long — with the same, non-moving image — and you’ll eventually give your CRT something known as “Burn-in”.

PLEASE WAIT

Burn-in is caused by the way CRT’s work: The phosphors which produce the light on the screen tend to lose their luminance over time. Over-use of specific areas will, eventually, cause a dramatic enough change that ghost images can appear.

Screensavers were created to reduce this problem. By making sure that no single portion of the screen could sit, displaying the exact same image, for too long of a period.

1961

The first known reference to something akin to a screensaver is in Robert Heinlein’s Sci-Fi novel, “Stranger in a Strange Land”.

“They went to the living room; Jill sat at his feet and they applied themselves to martinis. Opposite his chair was a stereovision tank disguised as an aquarium; he switched it on, guppies and tetras gave way to the face of the well-known Winchell Augustus Greaves.”

A fish aquarium screensaver (or something very close to it), talked about all the way back in 1961. Pretty cool.

This was, of course, merely a casual reference in a work of fiction. Still… fun to note where Sci-Fi predicts reality.

Many years passed without any actual screensaver being produced. Until…

1977

In 1977, a handful of games for the new Atari Video Computer System (later named the Atari 2600), included simple color cycling effects in order to prevent screen burn-in.

The Atari VCS 2600

Were these full fledged “screensavers” as we know them nowadays? Not exactly. But they did serve to “save the screen”.

1979

Then, in 1979, Atari released two computer systems: The Atari 400 and 800. Much like the Atari 2600, these Atari computers used a color cycling effect in order to limit screen burn-in. In this case, the effect kicked in after the computer sat idle for a number of minutes.

The Atari 800

Not exactly a "Screensaver" -- at least not as we know them today.  But it's the early steps in that direction.

1983

A few years later, in January of 1983, the Apple Lisa (the precursor to the Macintosh) was released. Within it was a system wide Preferences application that allowed the user to set the Lisa to “dim” the display after a definable amount of time.

Apple Lisa Preferences

Note the non-specific amount of time to wait before the screen dims. “I would like the screen to dim between, say, 15 and 30 minutes after I stop using it.”

I find the large time windows highly amusing.  Could the Apple Lisa not handle specific amounts of time?  Fascinating.

Just the same, this is notable as it is the first time an easily configurable “screensaver” like utility is provided on a computer.

Later that same year — in the December, 1983 issue of Softalk Magazine, a young programmer named John Socha published the source code for a small piece of software he dubbed “SCRNSAVE.COM”.

Save Your Monitor Screen!

That first PC screensaver was pretty darn simple — it made the screen go blank after an amount of time set in the source code. And, because this was the early 1980’s, you typed the whole thing in by hand from the pages of a magazine.

Want to change how long your computer would wait until the screen went blank? Modify the source code and re-compile.

Side note: Many claim that John Socha’s SCRNSAVE.COM was the first screen saver. Clearly the Apple Lisa shipped first (as did the Atari 400/800). But it very well may be the first screensaver for the IBM PC, which is already a very cool badge of honor. Also worth noting that its author, John Socha (who is also the creator of Norton Commander), would go on to significant things in the screensaver world.

1988

Every attempt at "saving screens", up until now, had been pretty... dull.  Black screens.  Color cycling.  Just enough to pevent screen burn.  That was about to change.

The first publicly released screensaver package which contained distinct, configurable displays… was the “Magic ScreenSaver” for Windows 2.0, first released in 1988 by Bill Stewart and Ian Macdonald as a piece of shareware.

Passwords!  Sleep area!  All the basics of screensavers are here!

The early versions of Windows did not contain any built-in screensaver functionality. Magic ScreenSaver added that. And it looked like this:

Oooooooh.  So many lines.

This was it.  Magic ScreenSaver in 1988.  This was the turning point when "Screensavers" became "Screensavers" as we know them today.

1989

Remember how the Apple Lisa had a built-in screen dimming functionality? Strangely, just like early Windows, the Macintosh did not have anything like that.

Enter: After Dark.

Originally developed by James Eastman, After Dark was a screen saver package for the Macintosh. It was initially an un-named hobby project which, after it was shared with a friend at Berkeley Systems, was acquired and renamed “After Dark”.

The first version of After Dark.

The first release of After Dark used no bitmap artwork (relying entirely on programmatically generated graphics) and was not anticipated to be a big hit. But it was. And the crew at Berkeley then scrambled to polish it up and release a new version.

1990

Berkeley Systems pushed ahead on adding a new artistic flair to After Dark as they worked on the 2.0 release for Macintosh.

To bring a Windows version to market, they contacted the makers of Magic ScreenSaver to modify and enhance their shareware software… thus morphing it into “After Dark for Windows”.

The 2.0 release brought with it a small pile of new screen saver animations…

Welcome to Windows, After Dark.

But the real breakout hit was “Flying Toasters”.

Fly!  Fly you toasters!

In a 2007 interview with LowEndMac, the creator of After Dark (James Eastman) recalls the birth of those flying toasters:

“For 2.0 we needed to build more personality into it – really engage. We thought this over in the abstract for quite a while. My wife’s a doctor – she was doing her residency then and was frequently gone overnight. So I’d sit up late programming. Very late.

 

I had a Mac II with a color screen – $5,000 computer in those days.

One of those late nights I was thinking about the artistry problem – how to do something really fun for 2.0.

 

I was wandering around the house. I drifted into the kitchen, and the toaster caught my eye. My sleep-deprived brain put wings on it.

 

I went upstairs and drew some animation frames – I used the development system’s icon editor. Little white outline toasters on a black background with little stubby plucked-chicken wings speed lines and a flapping electrical cord. I coded up the animation that night and brought it to Berkeley Systems the next day.

 

Everybody thought it was hilarious and everybody agreed it needed to be redrawn.

Wes brought in an artist to re-render the toasters, and Patrick re-coded the module in C. The modules all had a little control panel – I insisted on having a slider that controlled the doneness of the toast.”

The result was an instant hit — and an enduring classic.

The "doneness" of the toast was, indeed, a nice touch.

Which brings us to the end of 1990… the popularity of the screensaver was about to explode.

And, wouldn't you know it, the release of After Dark 2.0 brough with it a Screensaver module named "Aquatic Realm".  A virtual fish tank.

Just like Robert Heinlein wrote about way back in 1961.

After Dark's "Aquatic Realm"

From Sci-Fi novel to reality.  Only took us 29 years to get there.

Not too darn shabby.

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Funny Programming Pictures Part LIV
The Roman Numerals makes ‘em fancy.

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Mount a drive image from a remote server... on DOS.
Want your D:\ to point to an image running on a Linux box across the world? Yeah, you do.

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The Internet Archive Loses Appeal. As Expected.
With more legal action on the horizon, how long before Archive.org closes?

The United States Court of Appeals (Second Circuit) just issued a ruling against the Internet Archive (Archive.org) -- rejecting their appeal, and upholding a previous ruling against them in the Hachette vs Internet Archive legal battle.

Make no mistake: This is very bad news for both the Internet Archive, Archive.org users, as well as other archival projects.

 

 

 

Hachette v. Internet Archive: The Short, Short Version

 

To make sure everyone is up to speed, here is the short, short version of this legal battle.

For many years, the Internet Archive has been creating digital copies of physical books (by scanning them) -- then allowing people to "borrow" those digital versions from Archive.org (in theory limiting the total digital books being "lent out" to the count of the physical books in the Archive's possession).

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Again.  No permission was obtained from the writers or publishers.

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The Strange Appeal of The Internet Archive

 

On April 19th of 2024, the Internet Archive filed their final brief in their attempt to appeal this ruling against them.

In that ruling, one of the Internet Archive's core arguments was that it cost the Internet Archive a lot of money to make so many digital copies of books without permission... so, therefore, the Internet Archive should be allowed to do it.

That is neither a joke nor an exaggeration.  It sounds weird, because it is weird.

The Internet Archive truly attempted to make the case that spending a lot of money committing a crime... should make that crime legal.  (Could you imagine the mafia making that case?  Wild.)

You can read the full analysis, by The Lunduke Journal, of the appeal (including the appeal itself) for yourself for more details.

The reality is... there was never any chance that the Internet Archive's attempted appeal was going to be successful.  Their defensive arguments were highly illogical (bordering on flights of fancy), and brought nothing new or noteworthy to the case.  This was all painfully obvious.

 

The Lost Appeal

 

On Wednesday, September 4th, 2024, the opinion was handed down from the United States Court of Appeals.

While the full ruling is roughly 64 pages long, this single paragraph -- from the second page -- summarizes things quite well:

 

"This appeal presents the following question: Is it “fair use” for a nonprofit organization to scan copyright-protected print books in their entirety, and distribute those digital copies online, in full, for free, subject to a one-to-one owned-to-loaned ratio between its print copies and the digital copies it makes available at any given time, all without authorization from the copyright-holding publishers or authors? Applying the relevant provisions of the Copyright Act as well as binding Supreme Court and Second Circuit precedent, we conclude the answer is no. We therefore AFFIRM."

 

To call out the truly important parts:

"Question: Is it 'fair use' ... to scan copyright-protected print books in their entirety, and distribute those digital copies online, in full, for free ... all without authorization from the copyright-holding publishers or authors? ... we conclude the answer is no."

You can read the entire 64 page ruling for yourself.  Heck.  You can even read it on Archive.org.  But that line, right there, sums it all up.

Naturally, the Internet Archive has issued a statement.  Albeit... a short one.

 

"We are disappointed in today’s opinion about the Internet Archive’s digital lending of books that are available electronically elsewhere. We are reviewing the court’s opinion and will continue to defend the rights of libraries to own, lend, and preserve books."

 

What Happens Now?

 

The Internet Archive gets sued by some of the biggest book publishers... and loses.

The Internet Archive appeals... and loses.

What happens next?  Well.  Unfortunately -- for both the Internet Archive, and its users -- the future looks rather bleak.

First and foremost: Has the Internet Archive made, and distributed, digital copies of work you own?  This ruling will certainly not hurt your case should you decide to take legal action against Archive.org.

And -- holy smokes -- the amount of copyrighted material on Archive.org is absolutely massive.

The Archive.org software repository alone contains millions of items.  With a very large number of them being copyrighted material, posted there without permission of the copyright owner.

Simply going by the numbers, here's how much material is available on Archive.org (roughly):

  • 832 Billion archived webpages.
  • 38 Million printed materials (magazines, books, etc.).
  • 2.6 Million pieces of software
  • 11.6 Million videos files.
  • 15 Million audio files.
  • 4.7 Million images.

How many of those items do you think are there without permission (or possibly even knowledge) of the owners or creators?

Every single one now has an increasingly strong case when looking at potential legal action.

And it's about to get even worse for the Internet Archive.

 

UMG Recordings v. Internet Archive

 

That's right, the book publishers weren't the only ones taking legal action against Archive.org. 

Universal Music Group and Sony have an ongoing lawsuit against the Internet Archive -- regarding the distribution of 2,749 audio recordings (with potential damages upwards of $412 Million USD).

Seriously.

 

"Plaintiffs bring this suit to address Defendants’ massive ongoing violation of Plaintiffs’ rights in protected pre-1972 sound recordings. As part of what Defendants have dubbed the “Great 78 Project,” Internet Archive, Blood, and GBLP have willfully reproduced thousands of Plaintiffs’ protected sound recordings without authorization by copying physical records into digital files. Internet Archive then willfully uploaded, distributed, and digitally transmitted those illegally copied sound recordings millions of times from Internet Archive’s website."

 

Sound familiar?  Digital copies.  No permission from the artists or publishers.  Free downloads for everyone.

Naturally, the Internet Archive attempted to have this suit dismissed... but their attempt was denied in May of 2024.  (Because if there's one constant in life... it's that the Internet Archive always loses in court.)  That case is going forward.

 

 

What happens if the Internet Archive loses this UMG / Sony case?  What happens if they are ordered to pay $412 Million in damages?

To put it simply: Archive.org doesn't have that kind of money.  They bring in roughly $20 Million (give or take) per year.  That type of legal liability would absolutely destroy the Internet Archive.

 

 

And, here's the thing, the Internet Archive is almost assuredly going to lose that lawsuit as well.

Regardless of what you, I, or anyone else thinks of the Internet Archive -- and, make no mistake, I use that service several times a week (and love it) -- the law here is incredibly clear and well tested.

The Internet Archive runs one of the largest (if not the largest) website of pirated and stolen digital material on the planet.  Sure, it may also provide extremely valuable (and often, very legal) services as well.. but that doesn't make those crimes go away.

With each legal defeat, the Internet Archive grows increasingly vulnerable to additional attacks.

Simply being logical about it... it seems highly likely that we'll see additional suits brought against the Internet Archive in the months ahead.  Books, music, TV shows, software... Archive.org contains a massive mountain of copyrighted material in all areas.  These are suits which the Internet Archive would be almost certain to lose.

With this reality looming, how long until Archive.org will be forced to shut down entirely?  That day is likely not far off... and a sad day it will be.

 

The Archive Had to Know This Was Coming

 

The truly sad part?  The leadership of the Internet Archive had to know exactly what they were doing.

Every step of the way, it was obvious that they were going to lock horns with publishers (and lose).

Heck, I told them.  Repeatedly.

But, even if The Lunduke Journal hadn't pointed this out... it was a brutally obvious certainty to anyone even mildly familiar with copyright law and the workings of Archive.org.

Which means: The Internet Archive knowingly put their entire service at risk (including the Wayback Machine, the massive archive or pre-copyright audio recordings, etc.) because they wanted to publish copyrighted material against the wishes of the authors or publishers.

Despite this, they continue to push a public perception campaign where they pretend that publishers and authors are burning their own books.  When the reality is... the books are still available a wide variety of ways.  Archive.org simply got in trouble for copying and distributing them without permission.

 

 

Something I find truly fascinating about all of this, is that The Lunduke Journal will -- as usual -- get yelled at (rather extensively) for this article.  For simply pointing out the current reality of copyright law and how the Internet Archive has, knowingly, violated it.

People love Archive.org.  Heck, I love Archive.org.

And people are allowing their love for that website to convince them that anyone being critical of it... must, necessarily, be bad and evil.  An enemy.

But it is not The Lunduke Journal who is putting The Internet Archive in danger of being shut down.

Neither is it Sony, Hachette, Random House, or HarperCollins who are putting The Internet Archive in danger.

No, sir.

The only one putting The Internet Archive in danger... is The Internet Archive.

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